Tuesday 9 September 2008

Early And Accurate Detection Of Bowel Cancer With RanplexCRC - Detects 28 Polymorphisms Associated With Colorectal Cancer In A Single Stool Sample

�RanplexCRC is a diagnostic test that can find 28 polymorphisms associated with colorectal cancer in a single stool sample. It does non require a hospital visit or dietary restrictions, piece having greater sensitivity than the currently used Faecal Occult Blood (FOB) viewing test. RanplexCRC may more accurately profile patients and reduce the number of patients for colonoscopy, delivery time and resources and reducing patient discomfort.


Most sporadic colorectal cancers travel along a easily recognised progress from normal cells through adenoma (unnatural glandular growths) to malignant neoplastic disease, driven by mutations in a minuscule number of genes. RanplexCRC can simultaneously detect 28 mutations from four key genes in cancer or pre-cancer cells shed into the intestine. Selected mutations present in APC, KRAS, BRAF and Tp53, along with wild-type control sequences, are delineated on 2 biochips detected using Randox's Biochip Array Analysers.


The Randox family of Biochip Array analysers are immunoassay testing platforms that work by combining panels of related tests on a single biochip. The chemiluminescent endpoint is detected by a CCD-camera and quantified by a custom image-processing software. Evidence, a in full automated analyzer for high-throughput laboratories, and the Evidence Investigator, a semi-automated analyzer for low-throughput laboratories and research purposes, are both available from Randox.


Bowel (colorectal) cancer is the second largest cause of cancer mortality in the western world, but up to 90% curable if detected early. Unfortunately, near patients present with advanced disease, reducing their long term endurance. National Screening programmes ar being introduced throughout Europe, to reduce CRC mortality, using the FOB test. This inexpensive and noninvasive test detects blood in stool samples, which english hawthorn be an indication of a tumour. Patients with a positive FOB test are and so referred for colonoscopy. The FOB quiz, however, suffers from poor sensitivity, as not all tumours bleed (false electronegative test) and not all stool-blood is derived from tumours (false positive try out). Many patients (up to 50%) may therefore be sent for colonoscopies unnecessarily. Colonoscopies are invasive, involve dietary restrictions and demand the mien of a surgeon, so an intermediate test would benefit both the patient and the healthcare system. RanplexCRC provides the answer, filtering out false positives.

About Randox


Randox is an international diagnostics company, headquartered in the UK. Randox develop, manufacture and securities industry clinical diagnostic products world-wide. Core products are: Biochip Array Technology; clinical chemistry analysers and reagents; lineament controls and EQA; environmental diagnostics; recombinant proteins and antibodies.

Randox Laboratories

Diamond Road

Crumlin

Co. Antrim BT29 4QY

United Kingdom
http://www.randox.com


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Saturday 30 August 2008

'Innovative Life': Arabian Prince's early hip-hop chops

More than two decades after he helped define Los Angeles' early electro-rap sound, Arabian Prince holds court inside Sawtelle's vinyl-jammed Turntable Lab. He's still filled with the restless creative spirit that drove him when he was an original member of N.W.A and that is captured on the new released "Innovative Life: The Anthology -- 1984-1989."


"The title had to be 'Innovative Life' because that song expressed everything about me. I perpetually try to create and forge unexampled paths," Arabian Prince, 43, says.


Despite a catalog studded with pip 12-inch singles, no one had of all time compiled Arabian Prince's work out in a single volume. But Peanut Butter Wolf, owner and founder of local hip-hop label Stones Throw, which released the collection, is optimistic the anthology will introduce a new multiplication to an underrated artist and educate listeners around the slipway in which he influenced hip-hop.


























Everyone knows the 1988 Arabian Prince-produced J.J. Fad individual "Supersonic," "merely nobody accomplished that prior to 'Supersonic,' he'd made a whole album's worth of material that had that same vibe, simply with his rhyming on it," Wolf says. "Thankfully, now I can spread head the tidings to a bigger audience."


Of course, Arabian Prince's relative anonymity stems from his own will as often as from the jubilate of the gangsta rap sound over its techno-influenced forebears. A self-professed technical school nerd, he boasts about taking one of the first laptops created, a Radio Shack Tandy model, on N.W.A's first turn, and in the '90s he ditched the music business for his possess special-effects and 3-D vivification company, Hypnotx FX.


Born K.R. Nazel, Arabian Prince grew up in Inglewood, where he got swept up in the then-nascent rap music scene. Hypnotized by anything on the Sugar Hill label, he began vending mix tapes at shoal. The tapes led to DJ gigs, which he parlayed into his weekly club, the Cave, in Lennox.


The Cave epitomized the come-as-you-are attitude of the Los Angeles hip-hop scene.


"It was such a immix of different people . . . ," Prince says. "We drew influences from the Hispanic community, the blackened community and the patrick White community. . . . You had to play something for everyone."


He began doing gigs with the Egyptian Lover, another DJ gaining up-to-dateness on the scene. He also aquiline up with Russ Parr, one of the about successful DJs on KDAY, which at the time was the only station in the country devoted exclusively to hip-hop. Under the false name Bobby Jimmy and the Critters, Prince and Parr managed to sell 50,000 copies of their first going, a put-on called "We Like Ugly Women."


From there, Arabian Prince began to establish a solo life history with the Middle Eastern-flavored tune "Strange Life." As West Coast hip-hop started its meteoric rise, his star followed. But an epiphany on a railcar ride with then World Class Wrecking Crew member Dr. Dre sparked a desire for change.


"We were driving in Dre's old RX7 with no back window to see J.J. Fad in front they became J.J. Fad," he says, laughing. "They lived out in Rialto, and the entire way there we were listening to the radio and hearing our songs. We looked at each other and were like, how is it that our songs ar getting played on the radio and we ain't got whatsoever money?"


A subsequent encounter with a rosiness Eazy-E paved the way for both Dre and Arabian Prince to join up with him to form N.W.A, with the idea that their already name-brand stars would help pave the way for the largely unknown repose of the group.


"Arabian had a name for himself," Egyptian Lover says. "The thinking was that he and Dre could make some good records and in the process serve get N.W.A's foot in the door. No one called it 'electro hip-hop' back then, it was just 'hip-hop.' "


The group's first base single featured the Prince-produced "Panic Zone" on its A side, along with other tunes such as "Dopeman" and "8-Ball." But by the time N.W.A prepared to record �Straight Outta Compton� in 1988, Arabian Prince was on the outs with his bandmates and manager Jerry Heller.


"I'd ask when we were sledding to arrest paid, and they'd tell me to talk to Jerry," Arabian Prince says. "He'd give us $500 or $1,000 at that place, but we never got royalties, nor any statements or checks. People still ask me, 'What about the fame?' But I was never about that. Besides, all the fame in the macrocosm doesn't matter if you can't get paid."


Arabian Prince recorded more solo albums before decision making to follow up on a new career, although he continues to record and do DJ remixes. He's finishing an record album under his Professor X alias and has plans for some other Arabian Prince record. He takes keen satisfaction in the electric current generation's incorporation of old school electro-funk heavy in its work.


"Flo Rida and will.i.am. use the old-school electro-funk. Will even turned 'Stetasonic' into 'Fergalicious.' Even Akon's new poppycock is all up-tempo. It seems like the music has really come full circle."






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Sunday 10 August 2008

Minutemen

Minutemen   
Artist: Minutemen

   Genre(s): 
Rock: Punk-Rock
   



Discography:


Ballot Result   
 Ballot Result

   Year: 1987   
Tracks: 27


Tour Spiel   
 Tour Spiel

   Year: 1985   
Tracks: 4


Project Mersh   
 Project Mersh

   Year: 1985   
Tracks: 6


Sound Factory   
 Sound Factory

   Year: 1984   
Tracks: 20


Double Nickels on the Dime   
 Double Nickels on the Dime

   Year: 1984   
Tracks: 43


Buzz or Howl Under the Influence of Heat   
 Buzz or Howl Under the Influence of Heat

   Year: 1983   
Tracks: 8


Bean Spill   
 Bean Spill

   Year: 1982   
Tracks: 5


The Punch Line   
 The Punch Line

   Year: 1981   
Tracks: 18


Joy   
 Joy

   Year: 1981   
Tracks: 3


Paranoid Time   
 Paranoid Time

   Year: 1980   
Tracks: 7




More than whatever other hard-core band, the Minutemen epitomized the rationalism main ideals that formed the core of punk/alternative music. Wildy eclecticist and politically revolutionary, the Minutemen never stayed in one seat to a fault long; they touched from tough to free malarky to funk to folk at a dazzling swiftness. And they toured and recorded at dazzling speed; during the early '80s, they were forever on the route, turning out records whenever they had a prospect. Like their peers Black Flag, Hüsker Dü, R.E.M., Sonic Youth, and the Meat Puppets, the Minutemen built a magnanimous, dedicated cult following end-to-end the United States through their unrelenting touring. Like their mate American indie bands, the trio was poised to break into the domain of major labels in 1986, and they would have if it wasn't for the tragic death of guitarist/vocalist D. Boon in December of 1985. Even though bassist Mike Watt and drummer George Hurley carried on with fIREHOSE in the later '80s, the legacy of the Minutemen overshadowed the new band in the late '80s and early '90s, as the San Pedro trio influenced respective generations of musicians.


D. Boon and Mike Watt began playing music when they were teenagers in the mid-'70s, coating '70s tough rock standards. After they calibrated from heights schoolhouse in 1976, they heard their first base punk rock records, which marked a substantial change in their musical exploitation. Once Boon and Watt heard punk, they began committal to writing their possess songs and distinct to form their number 1 full-fledged rock and roll & flap banding. In 1980, the copulate assembled a quartette called the Reactionaries, which featured drummer Frank Tonche and a second guitar player. Within a few months, their instant guitar player left hand and the band changed their name to the Minutemen, since most of their songs were non a great deal yearner than a minute of arc in continuance. They recorded one single with Tonche earlier he was replaced by George Hurley. After Hurley joined the band, the Minutemen recorded Paranoiac Time, their first EP; the record was released on SST Records in 1981. From the start, the band was eclecticist and political, but they didn't find their spokesperson until their first uncut album, 1981's The Punch Line.


Following the press release of The Punch Line, the Minutemen embarked on a punishing touring schedule, driving across America and playing whatever metropolis where they could sustain a gig. They were recording frequently, also. All of their major records appeared on SST Records, merely they besides issued selected tracks and EPs for other independent labels, start with 1982's Bean-Spill EP, which appeared on Thermidor Records. The band's second uncut album, 1983's What Makes a Man Start Fires?, earned them considerable critical herald passim the resistance and alternative compress. Later in 1983, they released their third gear album, Buzz or Howl Under the Influence of Heat.


By the end of 1983, the Minutemen had go one of the to the highest degree popular bands in the American underground, a status they solely reinforced upon during 1984. That twelvemonth, they delivered the double album Double Nickels on the Dime. The length of the album was a response to Hüsker Dü's 1984 double album Zen Buddhism Arcade, merely the expanded length gave the chemical group an opportunity to stretch out out and showcase their increasing musical depth and vision. Doubled Nickels on the Dime was a considerable metro hit, earning material college radio play and critical praise; many critics named it ane of the best albums of the year. Also in 1984, the isthmus released a aggregation of outtakes and unreleased material called The Politics of Time on New Alliance Records.


Throughout 1985, the Minutemen churned tabu recordings, beginning with the Tour-Spiel EP on Reflex Records. It was followed by the cassette-only retrospective My First Bells, which was released on SST. After My First Bells, the radical issued some other EP, Project Mersh, which featured covers of "commercial" arena rock bands plus several long original "spiels." Around the same time, the grouping recorded the Minuteflag EP, a one-off collaborationism with Black Flag. Finally, the Minutemen released the full-length followup to Dual Nickels on the Dime, 3-Way Tie (For Last), toward the end of the year. Like its predecessor, 3-Way Tie (For Last) received consuming positive reviews, including notices in mainstream publications.


In December of 1985, D. Boon and his lady friend were driving menage from peerless of her relatives' business firm, when they suffered a fateful automobile chance event. For the first part of 1986, Mike Watt and George Hurley were nerve-wracking to resolve whether they would continue playing music. During this time, the live Balloting Result was compiled and released. After a few months, both Watt and Hurley had decided to fall by the wayside medicine when they were positive to continue playing by a passionate Minutemen fan and guitarist called Ed Crawford. Watt, Hurley, and Crawford formed fIREHOSE in 1986 and by and by in the year, the new band released their debut album, Ragin', Full-On. fIREHOSE toured and recorded for the side by side seven age, sign language with the major label Columbia in 1991.






Wednesday 2 July 2008

'American Idol' winner weds in Alabama (+photos)

A former American Idol winner has tied the knot in Birmingham, Alabama, but there was no singing during the 30-minute ceremony.Ruben Studdard - winner of the hit show's second season - married Surata Zuri McCants at the Canterbury United Methodist Church on Saturday, People reported.The service included an exchange of vows, prayers and music provided by a string ensemble. The groom, nicknamed the "Velvet Teddy Bear" on Idol for his big frame and sonorous voice, wore a black tuxedo with white bow tie for Saturday's ceremony. His bride wore a white and ivory wedding gown.The couple met in October 2006, when Studdard was signing CDs at a Wal-Mart in Atlanta, People reported.Alabama will be their home as the 29-year-old-singer gets set to release a new album later this year.- AP, NZ HERALD STAFF



Sunday 22 June 2008

Belle, Regina

Belle, Regina   
Artist: Belle, Regina

   Genre(s): 
Jazz
   



Discography:


Lazy Afternoon   
 Lazy Afternoon

   Year: 2004   
Tracks: 12




 






Saturday 14 June 2008

Deerhoof Announce Offend Maggie Album Details

Deerhoof have a new album coming out, eighteen months after last year's mighty 'Friend Opportunity' (read our review).


'Offend Maggie' is the title and it features fourteen songs, that are split into two separate "acts". Song titles include 'Basket Ball Get Your Groove Back', 'The Tears And Music Of Love' and 'This Is God Speaking'.


Kill Rock Stars release the long-player on October 7th in the US - a UK date is likely to be October 6th.


If that wasn't enough, Deerhoof hope to get fans involved with the new release, by launching an interactive site that will let visitors download and rearrange one of the new songs.


Offend Maggie Tracklisting:


Act 1

Offend Maggie

Fresh Born

Chandelier Searchlight

The Tears And Music of Love

Buck and Judy

Don't Get Born

My Purple Pas

Act 2

Basket Ball Get Your Groove Back

Numina

This Is God Speaking

Eaguru Guru

Snoopy Waves

Jagged Fruit

Family Of Others




See Also

Monday 9 June 2008

Paolo Fresu Angel Quartet

Paolo Fresu Angel Quartet   
Artist: Paolo Fresu Angel Quartet

   Genre(s): 
Jazz
   



Discography:


Metamorfosi   
 Metamorfosi

   Year: 1999   
Tracks: 14




 






Videos by Comedy Duo Pretty Things Shame ‘Gossip Girl‘

This L.A.-based gender-bending duo are making sketch comedy edgy again. Michael Lucid and Amanda Barrett combine aggressive insincerity and bizarro half-animations in full series like proto–Gossip Girl boarding-school soap Mulberry Commons and Megwin and the Land of Neverwill, which concerns a savvy lady lawyer's adventures in a fantasy world. Best of breed: a short titled “Feedback,” featuring friend Jack Plotnick (with Lucid in drag) as a gay man struggling with being “on” all the time.






Steve Porter

Steve Porter   
Artist: Steve Porter

   Genre(s): 
Other
   



Discography:


Homegrown EP Vol.1   
 Homegrown EP Vol.1

   Year: 2004   
Tracks: 4




 






Water Lilies - movie review

Revolving around two members of a high school synchronized swimming team and their
relationship with a petite, peculiar girl, Celine Sciamma's seductive first feature, Wate
r Lilies, unveils its evocative fever-dream in the Parisian suburb of Cergy. At the recent
New Directors/New Films Festival in NY, Sciamma's adolescent enigma was an inarguable
highlight among some very strong competition.



It's after a demonstration of Anne and Floriane's submerged coordination, in a locker
room, that Fran�ois (Warren Jacquin) encounters a completely nude Anne (Louise Blachere).
Anne's frumpy body doesn't excite Fran�ois, but the teenage girl is left exhilarated by
the exhibitionistic thrill anyway. Outside the school, Floriane (Adele Haenel), the
swimming team's enchantress, agrees to allow the skinny, nymph-like Marie (an astounding
Pauline Acquart) into the pool area next time they practice, in exchange for a forthco
ming favor.



The favor asked is to be a lookout of sorts for Floriane as she runs off with Fran�ois.
The beauty's inability to go all-the-way with Fran�ois becomes a point of intrigue
both for herself and Marie, who begins harboring a romance for Floriane. Meanwhile, Anne daydrea
ms of Fran�ois deflowering her, going as far as to stand naked, eyes shut, in the
locker room for the lean stud to discover her again. As Marie's flirtation with Floriane
becomes a mutual affair, the tension between her and the insufferable histrionics of
Anne's crush tighten like a vice, especially when Fran�ois makes a house call to
Anne.



Things get rather randy, but the enticement of Sciamma's film is considerably proper.
At a club, the fumblings of an initial kiss between Floriane and Marie fluidly mutates
into Floriane dancing with an older man. Even later, as Marie gives in to Floriane's pleas
that she deflower her, the entire affair occurs under white bed sheets. Sciamma's
artistry is in the gentle coaxing of adolescent allure while keeping its inherent
mystery intact. Is there a difference between Anne's obsession with Fran�ois and
the emotional entanglement of Marie and Floriane?



Though minor in scope and with few real intricacies, Water Lilies nonetheless keeps the
car running in what is already a banner year for French cinema (its major triumph,
Hou Hsiao-hsien's Flight of the Red Balloon, opens on the same day). What makes Lilies s
o entrancing is the way that the taboo of feminine lust isn't pandered to as an oddity
but rather as an all-too-natural efflorescence. Beautifully paced with an eerily-consistent
tone, Sciamma's mixture of hormones, romanticism, and bruised emotions leads to sublime
and strange places unfamiliar to those who follow the straight and narrow and quite
reminiscent to those who still don't have the whole thing figured out.



Aka Naissance des pieuvres.



See Also

Genesis P-Orridge and Psychic TV

Genesis P-Orridge and Psychic TV   
Artist: Genesis P-Orridge and Psychic TV

   Genre(s): 
Ambient
   



Discography:


Ultradrug   
 Ultradrug

   Year: 1994   
Tracks: 13




 






Bruce Springsteen - Springsteen Age Is Liberating

Veteran rocker BRUCE SPRINGSTEEN is happy to be nearing his 60th birthday - because he is convinced old age is liberating.

The 58-year-old insists he is much happier with his life now, than when he was a young rock star because he has more freedom with his career.

Springsteen, who turns 60 next year (09), admits he can now stop trying to please the music industry and follow his own chosen path instead - something he couldn't have done when he was in his twenties.

He says, "My take on the whole thing is, by the time you're my age the race is over. These are the victory laps. I can make any kind of music I want to make.

"There are no rules. I'm not worried about whether I'm going to be competing with 50 Cent. All that pressure is off."




See Also

Atoll Nerat

Atoll Nerat   
Artist: Atoll Nerat

   Genre(s): 
Metal: Death,Black
   



Discography:


Art Of Ancien Seers   
 Art Of Ancien Seers

   Year: 2002   
Tracks: 8




 






Chris Rock says poverty behind xenophobic attacks

JOHANNESBURG, South Africa —

Chris Rock said Monday he doesn't consider a wave of attacks on foreigners in South Africa as black-on-black violence but a problem of poverty.


"It's broke-on-broke violence. It's broke people robbing each other," the 43-year-old actor-comedian said at a news conference Monday. "That's the sad thing."


More than 60 people have been killed and nearly 100,000 foreigners forced from their homes in a wave of attacks by South Africans who accuse them of taking jobs and blame them for crime.


Rock, who has visited South Africa before, opens his "No Apologies" tour in the country this week.


He said he plans to pay a courtesy call on former President Nelson Mandela, who turns 90 on July 18.


"I wish him another 90 years," Rock said. "There is a lot of work to be done still."


---


On the Net:


http://www.chrisrock.com/








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Cowell angry over Osbourne's behaviour

Simon Cowell has criticised Sharon Osbourne, describing her recent criticism of fellow 'X-Factor' judge Dannii Minogue as "wrong".
Speaking to the Sunday Mirror, Cowell said that he was unhappy about Osbourne's appearance on 'The Graham Norton Show', where she claimed that Minogue had only been hired for her looks.
Cowell said: "You see a grown-up Sharon behaving like this in public. I think it's wrong. Certain things should be done behind closed doors - the limelight shouldn't be taken from the contestants. I wish Sharon would ask my advice before she does things instead of trying to deal with it herself."
"Sharon would be the first to admit that we've had a turbulent relationship over the last three or four years, but I've got to know her a lot better this year," he added.
Cowell also insisted that Minogue had more than enough experience to justify her position as a judge on the show.
He said: "I was intrigued as to whether or not she could do the job. She's done a ton of songs, movies, 'Grease' and 'Home and Away'. That's exactly the sort of experience you need to be a judge. And she's worked harder with the artists than anyone else. She did 20-hour days."
Asked if all of the judges will be back next year, Cowell replied: "A hundred per cent - if they can get on."